Rajesh Khanna was a Bollywood actor and film producer who is widely regarded as one of the greatest actors in the history of Hindi cinema. Born in Amritsar, Punjab in 1942, Khanna began his acting career in the late 1960s and quickly rose to fame with his performances in a string of successful films. He became known as the “first super star” of Indian cinema and was particularly popular among female audiences.
Khanna’s acting career spanned over four decades and he appeared in over 150 films. Some of his most memorable performances include roles in films such as “Anand,” “Amar Prem,” “Bawarchi,” and “Aap Ki Kasam.” In addition to his acting career, Khanna also had a successful career as a film producer and owned his own production company.
One of the things that set Khanna apart from other actors of his time was his versatility. He was equally at home in comedy, romance, and drama and was able to portray a wide range of characters with ease. He was also known for his intense and emotional performances, which often left a lasting impact on audiences.
Despite his success in the film industry, Khanna faced a number of personal challenges in his life. He struggled with depression and addiction, and his marriage to actress Dimple Kapadia was tumultuous. Despite these struggles, Khanna remained a beloved figure in the film industry and was revered by his fans.
In addition to his acting career, Khanna was also known for his philanthropic work. He was actively involved in a number of charitable organizations and used his fame and influence to raise awareness about important social issues.
Khanna’s influence on Bollywood and Indian cinema cannot be overstated. He was one of the first actors to achieve widespread fame and popularity, and his performances helped to pave the way for future generations of actors. Even decades after his death, Khanna remains a household name in India and is remembered as one of the greatest actors in the history of Hindi cinema.
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) उस स्कूली दौर में निब पैन का चलन जोरों पर था..!तब कैमलिन की स्याही प्रायः हर घर में मिल ही जाती थी, कोई कोई टिकिया से स्याही बनाकर भी उपयोग करते थे और बुक स्टाल पर शीशी में स्याही भर कर रखी होती थी 5 पैसा दो और ड्रापर से खुद ही डाल लो ये भी सिस्टम था …जिन्होंने भी पैन में स्याही डाली होगी वो ड्रॉपर के महत्व से भली भांति परिचित होंगे ! कुछ 
महीने में दो-तीन बार निब पैन को खोलकर उसे गरम पानी में डालकर उसकी सर्विसिंग भी की जाती थी और लगभग सभी को लगता था की निब को उल्टा कर के लिखने से हैंडराइटिंग बड़ी सुन्दर बनती है। सामने के जेब मे पेन टांगते थे और कभी कभी स्याही लीक होकर सामने शर्ट नीली कर देती थी जिसे हम लोग सामान्य भाषा मे पेन का पोंक देना कहते थे…पोंकना अर्थात लूज मोशन…
हर क्लास में एक ऐसा एक्सपर्ट होता था जो पैन ठीक से नहीं चलने पर ब्लेड लेकर निब के बीच वाले हिस्से में बारिकी से कचरा निकालने का दावा कर लेता था !!नीचे के हड्डा को घिस कर परफेक्ट करना भी एक आर्ट था !हाथ से निब नहीं निकलती थी तो दांतों के उपयोग से भी निब निकालते थे…दांत , जीभ औऱ होंठ भी नीला होकर भगवान महादेव की तरह हलाहल पिये सा दिखाई पड़ता था 
